Amps

"CROCODILE" - SELMER AMPLIFIERS 1963 TO 1965





Picture of Selmer Concord 8, courtesy of Dominic Blaazer, New Zealand



 

THE STORY OF SELMER AMPLIFIERS - PART 4

Written by Tim Fletcher



The famous croc-skin Selmers, probably the most sought-after models due to their exotic good looks. Imitation crocodile-skin (and snake-skin) finishes were commonly seen on British footwear and fashion accessories in the mid-sixties, and Selmer departed from their normally staid and traditional finishes by adopting a very striking two-tone croc-skin/black colour scheme - just in time for the September 1963 British Music Trade Fair. All fashions come round again, flared trousers and the fabulous croc-skins !

Selmer's changes to their range of amplifiers, which had been quite stable for some years, were more cosmetic than fundamental. The most significant were the novel "blinking-eye" which pulsated in time with the tremelo, the croc-skin coverings, enlarged Selmer logos and new model names. It seems that it was an attempt to update Selmer's image without investing in entirely new models of amplifier, and judging by the popularity of Selmer amplifiers from this era it was highly successful.

Again, descriptions of amplifiers which are simply modified versions of those previously described are abbreviated and cross-referenced back. We have made an exception for the Zodiac and Thunderbird which, although derivations of previous Selectortone models, are so popular in their own right that they deserve a full description.

THE CROCODILE SKIN PERIOD (Sept 1963 to Sept 65)

 

COMBOS





AMPLIFIER HEADS




SPEAKER CABINETS AND COLUMNS:




tnb2.jpeg - 61Kb
Picture courtesy of Steve Rowley, Staffs, England.





Proceed to THE BLACK PERIOD (1966 - 70)

Return to MAIN SELMER AMPLIFIER PAGE

Return to MAIN HOFNER GUITAR PAGE